Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Merci, Thank you, Danke: Les 2 sujets  - Thomas Hirschorn

The World Record - General Idea

Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg

Tulips for Amsterdam - Isa Genzken

The lmprobable Flow - Larry Bell

Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West

Fax Transmission - Raymond Pettibone and Jason Rhoades

City Hall Tower Night Ilumination - Krysztof Wodiczko

Project pour le parc de sculpture de Vassiviére - Paul-Armand Gette

Monument to Democracy - Kounellis

Agency of Unrealised Projects
Logo by Liam Gillick
#
Date
Title
Source
Description
Tags
U9747
01.01.1968
A House of Dust - Alison Knowles
Unbuilt Roads
The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan ...
The House of Dust was first a computer poem using fortran language. The quatrains are all different, each line randomly connected. The form shifting categories for the house are: the material of manufature, the locations the light source and the inhabitan ...
U9665
01.01.1967
Unrealized Turtles 1967 - Joseph Grigely
Unbuilt Roads
Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all ...
Basically, a short history about why I never became an illustrator of turtles - of wild animals - or of anything else At Birchland Park School, Mrs. Donahue taught art and Mrs. Corliss taught music. The art classes were okay because I drew turtles all ...
U9258
01.01.1966
Uncompleted 1966 - and on  - John Armleder
Unbuilt Roads
I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright - Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h ...
I have not kept track of most of my umcompleted projects (and many of the completed ones - ) I believe this is quite alright - Most of what has never been done was either to boring, inconvenient, incorrect, or whatever - no regrets. Some projects made h ...
U9882
23.01.1964
Time Magazine Cover - Robert Rauschenberg
Unbuilt Roads
Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3" Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The ...
Solvent transfer, watercolor, pencil, crayon and tape on illustration board. 13 3/4" x 9 7/3" Robert Rauschenberg was asked to do a cover for Time Magazine to celebrate the opening of the World's Fair at Flushing Meadows in New York City, in 1964. The ...
U9811
01.01.1960
Monument with Rust - Gustav Metzger
Unbuilt Roads
three projects about which I have been thinking for some time. The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in the corrosion of meta ...
three projects about which I have been thinking for some time. The first construction is to be about 18 feet high with a base about 24 ft. by 18 ft. The principle of this technique was suggested by Mr. E. LI. Evans, who worked in the corrosion of meta ...