Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Social Resource Project For the Munich Olympics - Stephen Willats

Messages to the Public - Nancy Spero

The Rosetta Garden - Gary Simmons

Notebook Page: Home in the Form of a Banana with Garage,  - Claes Oldenburg

<A Public Misery Message> - Critical Art Ensemble

Der New-Babyloner - Constant

Niemandsland - Hans Haacke

Entwurf für einen erneuerten Malkasten 1992 - 1994 - Ulrike Holthöfer

Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang

Projet pour la Place Saint Léger à Chambery  - Erik Dietman

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W5006
30.08.2012
Das soziale NetzKunstwerk - Karen Eliot
WWW
An internet forum/ social network for Open Source Art projects: Artists always have unrealized ideas - things that just slumber in sketchbooks forever. We want to create a website, where users can propose such projects and leave it open for others to adop ...
An internet forum/ social network for Open Source Art projects: Artists always have unrealized ideas - things that just slumber in sketchbooks forever. We want to create a website, where users can propose such projects and leave it open for others to adop ...
W4332
24.05.2011
The Golden Pavilion - Xawery Wolski
WWW
The Golden Pavilion. 1993 What is essentially remote is the unapproachable. In fact, the main quality of an image used for worship is its inapproachability. By its very nature, it is always remote, as close as it may be. One can approach its material rea ...
The Golden Pavilion. 1993 What is essentially remote is the unapproachable. In fact, the main quality of an image used for worship is its inapproachability. By its very nature, it is always remote, as close as it may be. One can approach its material rea ...
W3626
14.05.2011
Détente Reflection 195 - Jenny Zhe Chang
WWW
Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma ...
Détente Reflection 195 will be a series of 195 sculptures of intercut, deconstructed and reconstructed table tennis bats that uncannily explores cultural fusions and disconnections between East and West. The word détente of the title refers to the perma ...
W5409
20.10.2012
Sharon Bareket
WWW
A series of photographic works made during 2012 by photographer Sharon Bareket, dealing with the invasion of a military dimension into the civilian, private dimension. The images evoke themes that are local and universal at the same time, and depict a ...
A series of photographic works made during 2012 by photographer Sharon Bareket, dealing with the invasion of a military dimension into the civilian, private dimension. The images evoke themes that are local and universal at the same time, and depict a ...
W4259
24.05.2011
Why leave the shelter? - Arcady Kotler
WWW
Why leave the shelter? (The Tale of the construction of my shell) I don’t even remember when construction of the shelter started, but it happened somehow unnoticeably. When I was young it was nothing like a fortress, but just big opened space with e ...
Why leave the shelter? (The Tale of the construction of my shell) I don’t even remember when construction of the shelter started, but it happened somehow unnoticeably. When I was young it was nothing like a fortress, but just big opened space with e ...