Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Theater der Leere - Werner Ruhnau and Yves Klein

Nicht realisierte Projekte - Stefan Demary

Just Before Dawn - David Lamelas

Ruderaltisch, 1994/95 Kunst am Bau - Projekt - Lois Weinberger

The insurer - Fabrice Hybert

Financial Times Millennium Bridge Competition - Richard Serra and Frank Gehry

Messages to the Public - Nancy Spero

PROPOSALl + VOORSTEL - Guillame Bijl

Entwurf für einen erneuerten Malkasten 1992 - 1994 - Ulrike Holthöfer

Unrealized Projects - Jonas Meckas

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W5168
25.09.2012
Interviews with Germans - Grace Schwindt
WWW
In 2010 I went to New York to conduct interviews with eleven Germans, who live there. They include two writers, two visual artists, an electrician, a gynaecologist, an historian, a musician, a receptionist, a social worker, a diplomat. Grace Schwindt 1 ...
In 2010 I went to New York to conduct interviews with eleven Germans, who live there. They include two writers, two visual artists, an electrician, a gynaecologist, an historian, a musician, a receptionist, a social worker, a diplomat. Grace Schwindt 1 ...
W4038
22.05.2011
Les dessous de Môtiers - Jacqueline Benz
WWW
Les dessous de Môtiers Le toit est soulevé par une grue, 80 cm d’intervalle marquent l’écart entre le bâtiment et le toit. Les pans du toit ont l’air de flotter un peu au-dessus de la maison, dans une légère mise en mouvement. Rien n’est ...
Les dessous de Môtiers Le toit est soulevé par une grue, 80 cm d’intervalle marquent l’écart entre le bâtiment et le toit. Les pans du toit ont l’air de flotter un peu au-dessus de la maison, dans une légère mise en mouvement. Rien n’est ...
W5120
18.09.2012
Future Perfect - Deirdre M. Donoghue
WWW
Future Perfect Future Perfect is an archive, a library and an exchange centre consisting of memories contributed by people of all ages and backgrounds. Contributions include memories inscribed in various ways; short texts, objects and images with short ...
Future Perfect Future Perfect is an archive, a library and an exchange centre consisting of memories contributed by people of all ages and backgrounds. Contributions include memories inscribed in various ways; short texts, objects and images with short ...
W3893
20.05.2011
The Divina Commedia triptych - Javier Toro Blum
WWW
The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. ...
The Divina Commedia triptych is a sculpture project, consisting in three ovoid metal cast pieces. Each piece has engraved in low relief (1.5mm) one part of the Dante Alighieri's Divina Commedia: Inferno, Purgatorio and Paradiso. ...
W3920
20.05.2011
Sameena Azam
WWW
The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured. ...
The idealization of a perceived space is explored through the use of fluid materials. Materials of a liquid consistency have ‘no fixed shape and yield to external pressure’. The use of such materials has enabled for movement to be captured. ...