Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Passage - Richard Wentworth

Progetto per Gerry Schum - Guiseppe Penone

Notebook Page: Home in the Form of a Banana with Garage,  - Claes Oldenburg

PROJEKT - Ulrich Rückreim

Grand Concours International D'Architecture  - Mahe Gilles

Eight Days a Week - Joe Scanlan

Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln  - Carsten Holler

Battery Park City - Per Kirkeby

KEEPING IN TOUCH - Allan Kaprow

Project tor the Veterans Administration Hospital--Bay Pines, Florida. - Robert Morris

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W5422
20.10.2012
ŻAK BRANICKA FOUNDATION - Szymon Kobylarz
WWW
“Agency of Unrealized Projects” Szymon Kobylarz (Polen) ŻAK BRANICKA FOUNDATION DEUTSCH Bild 1. Das 1. Bild zeigt eine nicht-­‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum ...
“Agency of Unrealized Projects” Szymon Kobylarz (Polen) ŻAK BRANICKA FOUNDATION DEUTSCH Bild 1. Das 1. Bild zeigt eine nicht-­‐realisierte, ortspezifische Installation in einer Galerie. Der Besucher eines mit Büchern vollgestopften Raum ...
W4467
25.05.2011
ExpErimEnts and obsErvations - hanna husberg
WWW
ExpErimEnts and obsErvations on diffErEnt kinds of air The project introduces a canalization of tubes with inhalers connected to N2O gas tanks at some public spaces as the auditorium of a theatre or a metro train. Experiments and observations on differe ...
ExpErimEnts and obsErvations on diffErEnt kinds of air The project introduces a canalization of tubes with inhalers connected to N2O gas tanks at some public spaces as the auditorium of a theatre or a metro train. Experiments and observations on differe ...
W3748
18.05.2011
SPOT ON - John Gayer
WWW
Proposed in 2009, SPOT ON could be described as participatory pointillism. My idea was relatively simple. It involved making stamping materials (circular rubber stamps + ink/paint pads in a range of colours) available to viewers so that each could contrib ...
Proposed in 2009, SPOT ON could be described as participatory pointillism. My idea was relatively simple. It involved making stamping materials (circular rubber stamps + ink/paint pads in a range of colours) available to viewers so that each could contrib ...
W3673
15.05.2011
SOUNDFAIR  - Clara Meister
WWW
THE UTOPIA OF A SOUNDSHOW ʻTELL ME ALL, SHOW ME NOTHINGʼ INTRODUCTION UNREALIZED PROJECT INTRODUCTION OF THE FOUNDERS 4. REALIZED PORJECTS CONTACT: Clara Meister clara@soundfair.net www.soundfair.net INTRODUCTION SOUNDFAIR - EXHI ...
THE UTOPIA OF A SOUNDSHOW ʻTELL ME ALL, SHOW ME NOTHINGʼ INTRODUCTION UNREALIZED PROJECT INTRODUCTION OF THE FOUNDERS 4. REALIZED PORJECTS CONTACT: Clara Meister clara@soundfair.net www.soundfair.net INTRODUCTION SOUNDFAIR - EXHI ...
W5298
17.10.2012
EFI SAVVIDES
WWW
Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart ...
Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart ...