Agency of Unrealised Projects
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Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

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Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang

AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn

Nicht realisierte Projekte - Stefan Demary

Museum - Katharina Fritsch

Financial Times Millennium Bridge Competition - Richard Serra and Frank Gehry

A House of Dust - Alison Knowles

Isometric Projection - Sol Lewitt

Projekt für die Landschaft des Mont-de-Sene (Burgund) im Rahmen eines öffentlichen Auftrags des französischen Kultusministeriums - Markus Raetz

The pyramids...to be seen to be believed - Jonathan Monk

Progetto per Gerry Schum - Guiseppe Penone

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W5458
20.10.2012
Jeffrey Millsaps
WWW
My submission calls for a form of weir to be built at the Schuylkill River Environmental Center in Philadelphia, Pennsylvania. The structure, which is designed to aerate the water and allow for the deposit of silt, is built in the shape of skyscrapers... ...
My submission calls for a form of weir to be built at the Schuylkill River Environmental Center in Philadelphia, Pennsylvania. The structure, which is designed to aerate the water and allow for the deposit of silt, is built in the shape of skyscrapers... ...
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W4589
25.05.2011
Joseph Moore
WWW
I hear words, half spoken words, and weeping both melodious and in staccato. Hands clap to the rhythm of music. A young man runs laps around the perimeter of the church’s large nave. There is the sound of voices that approach language albeit an incompl ...
I hear words, half spoken words, and weeping both melodious and in staccato. Hands clap to the rhythm of music. A young man runs laps around the perimeter of the church’s large nave. There is the sound of voices that approach language albeit an incompl ...
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W5029
31.08.2012
Marsh Islands - Mags Harries & Lajos Heder
WWW
Mags Harries & Lajos Héder Marsh Islands Location: South Bay Harbor Trails, Boston, MA (Proposal 2006) Client: South Bay Harbor Trail Public Art Initiative, Edward Ingersoll Browne Fund of the City of Boston Material: Marsh grass, steel, structural ...
Mags Harries & Lajos Héder Marsh Islands Location: South Bay Harbor Trails, Boston, MA (Proposal 2006) Client: South Bay Harbor Trail Public Art Initiative, Edward Ingersoll Browne Fund of the City of Boston Material: Marsh grass, steel, structural ...
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W3732
18.05.2011
POP GOES THE WEASEL - Anne O'Callaghan & Barbara Sternberg
WWW
The following is a brief synopsis of the proposal, POP GOES THE WEASEL, that we submitted for 2011 Nuit Blanche, Toronto, Ontario Canada. This proposal was rejected due to censorship by the local Business Improvement Association (BIA), see emails below** ...
The following is a brief synopsis of the proposal, POP GOES THE WEASEL, that we submitted for 2011 Nuit Blanche, Toronto, Ontario Canada. This proposal was rejected due to censorship by the local Business Improvement Association (BIA), see emails below** ...
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W3950
20.05.2011
GLASS WIND - Beatrice Crastini
WWW
Project presented to Basilea Committee, year 2008 Project GLASS WIND Starting from the sentence “in the electric technology’s regime, the duty of the man becomes that to learn and to know; all the forms of wealth derive from the move of inform ...
Project presented to Basilea Committee, year 2008 Project GLASS WIND Starting from the sentence “in the electric technology’s regime, the duty of the man becomes that to learn and to know; all the forms of wealth derive from the move of inform ...
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