Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

No title, as the project only reached proposal stage - Rikrit Tiravanija

Visual Poem: Cap I Cua - Joan Brossa

MAK - Wien  - Rosemarie Trockel

Festival du film de famille - Pierre Huyghe

My House - Uri Tzaig

Prima del 73 - Fabio Mauri

Fax Transmission - Raymond Pettibone and Jason Rhoades

Museum - Katharina Fritsch

Dog Jaw Monument - A Futurist Tele-introject - Leon Golub

Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W4777
02.06.2011
No Success like Failure - Daniel Permanetter
WWW
NO SUCCESS LIKE FAILURE “She knows there's no success like failure And that failure's no success at all.” (Bob Dylan, “Love Minus Zero/ No Limit” 1965) The work consists of two parts. One is a scaffolding construction holding approximately ...
NO SUCCESS LIKE FAILURE “She knows there's no success like failure And that failure's no success at all.” (Bob Dylan, “Love Minus Zero/ No Limit” 1965) The work consists of two parts. One is a scaffolding construction holding approximately ...
W10443
23.04.2014
ENIGMA - Sebastian Tedesco
WWW
The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load. The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it ...
The project is the installation in the Antarctic Pole of an object, a magnet, an object that itself has a symbolic and enigmatic load. The proposal is to install in the Antarctic territory a magnet horseshoe 1 m high by 60 cm base and 3 cm thick at it ...
W5466
21.10.2012
THE STREET IS ALSO A HOUSE ... - António Rosa da Silva
WWW
explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private. The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve ...
explores the urban environment interactions in a series of sets of furniture perfectly stereotyped in any existing interior space, public or private. The object is materialized in a plane to be held in red Valchromat (MDF), this plane is placed at a ve ...
W3638
14.05.2011
lynn hershman Leeson
WWW
This piece reveals the biological system/internal workings of ballet dancers, particularly pregnant ones, who dance to the rhythm and sounds of their own blood stream and heartbeat. ...
This piece reveals the biological system/internal workings of ballet dancers, particularly pregnant ones, who dance to the rhythm and sounds of their own blood stream and heartbeat. ...
W4105
23.05.2011
Dazzle Study #10 an onwards     - Håvard Pedersen
WWW
Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during ...
Dazzle Study #10 an onwards were to be a series of abstract artwork, both site specific work and as individual sculptures, based on the theory of Dazzle Camouflage. The camouflage, credited to the English painter Norman Wilkinson, where first used during ...