Agency of Unrealised Projects
Continue
Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Click to continue...


Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George

Der New-Babyloner - Constant

Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman

Electronic Theater - Laurie Anderson

Messages to the Public - Nancy Spero

The World Record - General Idea

Proposal for a permanent video installation for the NYC headquarters of Sony Corporation - Dara Birnbaum

Social Resource Project For the Munich Olympics - Stephen Willats

Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln  - Carsten Holler

Grand Concours International D'Architecture  - Sol Lewitt

Agency of Unrealised Projects
Logo by Liam Gillick
#
Date
Title
Source
Description
Tags
W3764
18.05.2011
The Children of the Divine Understanding of All (1914-?): Documentation of a Forgotten Religion - Kevin Swenson
WWW
NEW COMERS Welcome, and do not be nervous, for you will soon broaden your understandings on every aspect of this life you have been given. Children of All do things very differently. We do not focus or dwell upon the wrong things we have done; instead, w ...
NEW COMERS Welcome, and do not be nervous, for you will soon broaden your understandings on every aspect of this life you have been given. Children of All do things very differently. We do not focus or dwell upon the wrong things we have done; instead, w ...
, ,
W5392
20.10.2012
Pieterjan Grandry
WWW
Absence stimulates the need for completion and the design of these ideas is what makes the intangible absent concrete. Talking about absence in an urban spot (the incomplete tower of Antwerp’s cathedral), one might think of utopia. Utopia is the non-pla ...
Absence stimulates the need for completion and the design of these ideas is what makes the intangible absent concrete. Talking about absence in an urban spot (the incomplete tower of Antwerp’s cathedral), one might think of utopia. Utopia is the non-pla ...
, , , , ,
W3729
18.05.2011
“Minaret” - Felippe Moraes
WWW
The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101 ...
The installation “Minaret” is constituted by a single scaffold 7m high with 2 pairs of stereo speakers in its top emitting simultaneously an African drum counting the prime numbers starting 2, 3, 5, 7, 11… going up to … 89, 97, 101 ...
,
W3790
18.05.2011
Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000)  - Ken Gonzales-Day
WWW
Original blurb: Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally ...
Original blurb: Bone-Grass Boy: The Secret Banks of the Conejos River (1995-2000) was a conceptually driven project that manifested itself in two ways: one, as a literary trope of the frontier novel of the late nineteenth century, and two, as a digitally ...
, , ,
W4936
19.08.2012
Niddah: 14 days - Gabriella Boros
WWW
As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra ...
As I turned 50, my self-image as a female began to change with the changes in my body. As I was approaching menopause, it interested me to understand why there was such a negative approach to female purity in my religion. I began to explore the Judaic pra ...
, , , , ,