Agency of Unrealised Projects
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Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

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Attitudine Diplomatica - Hermann Pitz

Placid Earth: A Project for the Meeting of Millennia - Cai Guo Quiang

MAK - Wien  - Rosemarie Trockel

Eight Days a Week - Joe Scanlan

Tulips for Amsterdam - Isa Genzken

Grand Concours International D'Architecture  - Sol Lewitt

Notebook Page: Home in the Form of a Banana with Garage,  - Claes Oldenburg

Memorial - Ilya Kabakov

Festival du film de famille - Pierre Huyghe

Jake and Dinos Chapman's five proposals for an empty plinth situated on central londons trafalgar square - Jake and Dinos Chapman

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W4594
25.05.2011
Monastic garden in an edge space of a retail park, London, UK - Peter Ainsworth
WWW
Monastic garden in an edge space of a retail park, London, UK Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have ...
Monastic garden in an edge space of a retail park, London, UK Space that is on the peripheries of major roads and towns has a distinctly singular usage: to consume. Out of town shopping malls, retail parks have an inexplicable draw, yet they also have ...
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W4169
24.05.2011
Apocalypse Wave  - Mitya Nesterov & Lera Nibiru
WWW
Apocalypse Wave On 12 January 2010, a 7.0 magnitude earthquake struck, Haiti and its capital, Port-au-Prince. The devastation was horrible, an estimated three million people were affected by the quake, the Haitian government reported that an estimated ...
Apocalypse Wave On 12 January 2010, a 7.0 magnitude earthquake struck, Haiti and its capital, Port-au-Prince. The devastation was horrible, an estimated three million people were affected by the quake, the Haitian government reported that an estimated ...
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W3577
13.05.2011
DIMENSIONS VARIABLE: a proposal 07.2010! - Raul J Mendez
WWW
CONTEXT My work reads as a reconciliation of opposites between the private and the public. In other words, it is a codified puzzle of images that continues to grow and develop, drawing from my personal experience as well as from the public domain. There ...
CONTEXT My work reads as a reconciliation of opposites between the private and the public. In other words, it is a codified puzzle of images that continues to grow and develop, drawing from my personal experience as well as from the public domain. There ...
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W5169
26.09.2012
The winnipeg free museum  - Kendra Place
WWW
The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within ...
The winnipeg free museum (2009–2010) was an impossible, dividual artists' project. If Museums are being built as walled inspiration, promising experience and claiming to face the (carceral/) future, would the non-built or dematerialized, situated within ...
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W5193
01.10.2012
becoming the mountain - Aerial Sparks
WWW
When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co ...
When I decided to become a professional artist in 2005 , I was switching from a career to my vocation , ignorant of how the art world works I concluded the best means of gaining interest and artistic notoriety quickly was to make a selection of large co ...
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