Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

PROPOSALl + VOORSTEL - Guillame Bijl

Why New Worlds Conceived by Artists Do Not Get Built - Peter Fend

Arrangement Stroom HCBK Den Haag - Ange Leccia

Grand Concours International D'Architecture  - Mahe Gilles

Prima del 73 - Fabio Mauri

PROJECT FOR A COMMUNITY CENTER, AVENUE DES NARCISSES, CHENOVE - Vito Acconci

Project tor the Veterans Administration Hospital--Bay Pines, Florida. - Robert Morris

Dog Jaw Monument - A Futurist Tele-introject - Leon Golub

WATERWORKS - Mona Hatoum

<A Public Misery Message> - Critical Art Ensemble

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W3514
11.05.2011
“Future Show”  - Alexandra Hopf
WWW
“Future Show” is an ongoing investigation into objects of art that have vanished from the field of vision.  These objects were once housed within the original Future Show in the New York's Museum of Non-Objective Art from November to December of 1 ...
“Future Show” is an ongoing investigation into objects of art that have vanished from the field of vision.  These objects were once housed within the original Future Show in the New York's Museum of Non-Objective Art from November to December of 1 ...
W3989
21.05.2011
Ordinary Fight Nights - Industry of the Ordinary
WWW
Industry of the Ordinary propose to stage Industry of the Ordinary Fight Nights. The art world is rife with petty enmities and personal disagreements. What better way to sort these out once and for all than to offer protagonists (antagonists) the opportun ...
Industry of the Ordinary propose to stage Industry of the Ordinary Fight Nights. The art world is rife with petty enmities and personal disagreements. What better way to sort these out once and for all than to offer protagonists (antagonists) the opportun ...
W5013
30.08.2012
Children of the Enemy - Edward Walsh
WWW
Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked. "Children of the Enemy", model for bronze, 55" h ...
Children of the Enemy is a sculpture dedicated to the children on either side of any conflict down through history. Stand before them and become the attacker. Stand behind them and become the attacked. "Children of the Enemy", model for bronze, 55" h ...
W4684
26.05.2011
forever pets  - Gregory Alan Thornbury
WWW
forever pets The other day I found myself delighted with how well behaved my friends dog was. Their dog, Molly, was not up on the couch sniffing my crotch or licking me in the face, but laid neatly curled asleep beside the hearth. After an hour of uni ...
forever pets The other day I found myself delighted with how well behaved my friends dog was. Their dog, Molly, was not up on the couch sniffing my crotch or licking me in the face, but laid neatly curled asleep beside the hearth. After an hour of uni ...
W3573
12.05.2011
MOROSO Prize 2010 Proposal - Gabriele De Santis
WWW
Introduction Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth. The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst ...
Introduction Before this opportunity, I knew of Moroso, but I was not fortunate enough to fully engage with it in-depth. The first step was obviously to carefully explore the website. Through the images and literature offered I gained a better underst ...