Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Projets non réalisés: - Daniel Buren

Relatum (Iron Plate and Stone) - Lee Ufan

Messages to the Public - Nancy Spero

Art and Ourselves: A Proposal for the city of Nordhorn - Allen Rupperssberg

<A Public Misery Message> - Critical Art Ensemble

CIVITAS Stadtpostkarten - Lothar Baumgarten

Visual Poem: Cap I Cua - Joan Brossa

den anonymen Tod ausstellen - Gregor Schneider

Aguapracasa - Gabriel Orozco

Attitudine Diplomatica - Hermann Pitz

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W4578
25.05.2011
LAIKART - Eirene Efstathiou, Maria Michou, Iris Plaitakis
WWW
LAIKART artist group for unrealized utopian projects Inception LAIKART was an artist group founded in Athens, Greece, by Eirene Efstathiou (artist), Maria Michou (architect) and Iris Plaitakis (artist / archaeologist). In 2006, when LAIKART to ...
LAIKART artist group for unrealized utopian projects Inception LAIKART was an artist group founded in Athens, Greece, by Eirene Efstathiou (artist), Maria Michou (architect) and Iris Plaitakis (artist / archaeologist). In 2006, when LAIKART to ...
W4602
25.05.2011
Alexander Vaindorf
WWW
"In the Shadow of the Monument" 2009 PROPOSAL # 2 Images from the solo exhibition at Art Center Gävle, Sweden. And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden. more info http://a ...
"In the Shadow of the Monument" 2009 PROPOSAL # 2 Images from the solo exhibition at Art Center Gävle, Sweden. And a temporary public monument "In the shadow of the double" in City Hall Courtyard in the city of Gävle, Sweden. more info http://a ...
W4384
25.05.2011
Baiju Parthan
WWW
'SYNCYTIUM / COSMOPOLIS' (An unrealized project from 2008 ) The project is an attempt to suggest that 'identity' is not a monolithic immutable asset, but a very granular and dynamic feedback system, a ceaseless process that continually emit and absor ...
'SYNCYTIUM / COSMOPOLIS' (An unrealized project from 2008 ) The project is an attempt to suggest that 'identity' is not a monolithic immutable asset, but a very granular and dynamic feedback system, a ceaseless process that continually emit and absor ...
W4632
25.05.2011
Hat  - maschen
WWW
“Here the city unfolds, grows word by word, dynamic voices, that blur and focus.” excerpt by Poós Zoltán - Budapest Hat hat [turkish] line [english] a project by Anna Haber, Korinna Lindinger and Julia Rosenberger the line A line i ...
“Here the city unfolds, grows word by word, dynamic voices, that blur and focus.” excerpt by Poós Zoltán - Budapest Hat hat [turkish] line [english] a project by Anna Haber, Korinna Lindinger and Julia Rosenberger the line A line i ...
W4451
25.05.2011
God Only Knows - Declan Rooney
WWW
God Only Knows Concept: Inside a sand pit and framed from behind by a blue wooden wall, I will dig my hands and feet into Dublin sand, collecting mounds of the material. Then I will elevate both hands and feet above the ground, attempting to hold this a ...
God Only Knows Concept: Inside a sand pit and framed from behind by a blue wooden wall, I will dig my hands and feet into Dublin sand, collecting mounds of the material. Then I will elevate both hands and feet above the ground, attempting to hold this a ...