Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Just Before Dawn - David Lamelas

Project for the Initiative Mahnmal Homosexuellenverfolgung, Frankfurt  - Jeff Wall

Financial Times Millennium Bridge Competition - Richard Serra and Frank Gehry

The pyramids...to be seen to be believed - Jonathan Monk

Double Exposure 1995-6  - Dan Graham

Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln  - Carsten Holler

PROPOSAL FOR SEATTLE ARTS COMMISSION, IN PUBLIC - Chris Burden

"Ileana, I love you" - Maurizo Cattelan

Relatum (Iron Plate and Stone) - Lee Ufan

Eight Days a Week - Joe Scanlan

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W4956
20.08.2012
Carpet Bombing- Iraqi Markets - Eugene Soler
WWW
Since the war in Iraq 2001 and the ousting of the Iraqi goverment in 2002-2003, we have witnessed the vast amount of insurgents who have used 'terror' as their main weapon. By attacking and bombing gathering places and large crowds, terrorists can inflict ...
Since the war in Iraq 2001 and the ousting of the Iraqi goverment in 2002-2003, we have witnessed the vast amount of insurgents who have used 'terror' as their main weapon. By attacking and bombing gathering places and large crowds, terrorists can inflict ...
W4444
25.05.2011
Path to nothingness - Jenson Anto
WWW
Path to nothingness The mountains had been waiting for me, every rivulet, boulder, weathered rock too. And the icy winds let me know that. At 60kph, the wind resistance knocks down the speed to a mere 10kph and drills sand into my nose. Melting snow ha ...
Path to nothingness The mountains had been waiting for me, every rivulet, boulder, weathered rock too. And the icy winds let me know that. At 60kph, the wind resistance knocks down the speed to a mere 10kph and drills sand into my nose. Melting snow ha ...
W5477
21.10.2012
Wojciech Gilewicz
WWW
With making the described below proposal in the framework of an open call organized by the Museum of Modern Art in Warsaw (in progress since 2005), I wanted to develop in 2005 in Warsaw public space a project consisting in both revival of Warsaw urban fab ...
With making the described below proposal in the framework of an open call organized by the Museum of Modern Art in Warsaw (in progress since 2005), I wanted to develop in 2005 in Warsaw public space a project consisting in both revival of Warsaw urban fab ...
W3828
19.05.2011
The Black Diagram - Patrik Aarnivaara
WWW
"The Black Diagram", 2010 was a continuation of the work An “A” Surrounded by a Circle, 2009. In my earlier work I deconstructed anarchist signs. In the unfinished project "The Black Diagram" I worked with the idea of “Post-anarchism”. Anarchi ...
"The Black Diagram", 2010 was a continuation of the work An “A” Surrounded by a Circle, 2009. In my earlier work I deconstructed anarchist signs. In the unfinished project "The Black Diagram" I worked with the idea of “Post-anarchism”. Anarchi ...
W10475
27.04.2014
Archive of Forgotten Ideas - Cecilia Guida and 42 contributors
WWW
Sometimes we have ideas that we like but for rational, emotional or practical reasons we think they won’t work out or we aren’t able to develop them at that moment. Consequently we keep them apart, “hide” them somewhere in a peripheral and little ...
Sometimes we have ideas that we like but for rational, emotional or practical reasons we think they won’t work out or we aren’t able to develop them at that moment. Consequently we keep them apart, “hide” them somewhere in a peripheral and little ...