Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

Unrealized project for Tate Gallery + ICA, 1969 - Gilbert and George

Tulips for Amsterdam - Isa Genzken

Grand Concours International D'Architecture  - Mahe Gilles

Aus: Katalog 'Kunst bleibt Kunst' - Hans Peter Feldman

Progetto per Gerry Schum - Guiseppe Penone

Passage - Richard Wentworth

Memorial - Ilya Kabakov

The Rosetta Garden - Gary Simmons

PROPOSALl + VOORSTEL - Guillame Bijl

Social Resource Project For the Munich Olympics - Stephen Willats

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W3668
15.05.2011
The Lift (Reprise) - Kevin Rodgers
WWW
The Lift (Reprise), or I will not confuse libertarian hallucinations with practical investment advice. I will not confuse libertarian hallucinations with practical investment advice. I wi ...
The Lift (Reprise), or I will not confuse libertarian hallucinations with practical investment advice. I will not confuse libertarian hallucinations with practical investment advice. I wi ...
W10296
01.01.2010
Industrial Park - Héctor Zamora
WWW
Industrial Park was proposed for 'Touched' the 6th Liverpool Biennial, 2010 Proposed to take place in the Liverpool docks area where new developments are replacing the old port and industry buildings, it is a large scale permanent intervention based on ...
Industrial Park was proposed for 'Touched' the 6th Liverpool Biennial, 2010 Proposed to take place in the Liverpool docks area where new developments are replacing the old port and industry buildings, it is a large scale permanent intervention based on ...
W5154
24.09.2012
Borrowing the land - Joe Tymkow
WWW
This proposal was submitted to the 2012 UK Cultural Olympiad under the heading 'Artists Taking the Lead'. If chosen/realized it would have represented the largest piece of Land Art to date. ...
This proposal was submitted to the 2012 UK Cultural Olympiad under the heading 'Artists Taking the Lead'. If chosen/realized it would have represented the largest piece of Land Art to date. ...
W4214
24.05.2011
Strayed in Schizophrenic Landscapes of a Celibate Machine - Atelier Uraiqat
WWW
Strayed in Schizophrenic Landscapes of a Celibate Machine Atelier Uraiqat Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the ...
Strayed in Schizophrenic Landscapes of a Celibate Machine Atelier Uraiqat Strayed in Schizophrenic Landscapes of a Celibate Machine is the manifestation of the struggle between the desiring individual and controlling society, where desire acts as the ...
W10444
23.04.2014
Glass Tower 50 - Sean Scully
WWW
Glass Tower 50, 2014 is constructed of fifty glass panels. The slabs of glass are roughly cut on their edges allowing spaces between the layers enabling light and air to enter the work. This design gives it a sense of weightlessness, as a counter point ...
Glass Tower 50, 2014 is constructed of fifty glass panels. The slabs of glass are roughly cut on their edges allowing spaces between the layers enabling light and air to enter the work. This design gives it a sense of weightlessness, as a counter point ...