Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

No title, as the project only reached proposal stage - Rikrit Tiravanija

Nicht realisierte Projekte - Stefan Demary

Unbetitelt, Gänse-Projekt + Noch unbetitelt , " Durch den Mund sehen " + Kartoffeln  - Carsten Holler

Eight Days a Week - Joe Scanlan

Passage - Richard Wentworth

La Guerra De Los Simbolos - Victor Grippo

Brücke Wein-Kanal Arch. Hermann Czech, Wein - Franz West

119. PROJET DE DESTRUCTION DU MUSEE 1970 - 1971 - Jef Geys

Square Depression - Bruce Nauman

PROPOSALl + VOORSTEL - Guillame Bijl

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
W4914
14.08.2012
Possible Areas of Joint Action - Alec Steadman
WWW
The Experimental Art Action group present: Possible Areas of Joint Action A “Due to an electrical fault at the enlightenment gallery…” production 01/01/2013 - 01/01/2014 For the period of 1 year, beginning at midnight on the 01/01/2013 and e ...
The Experimental Art Action group present: Possible Areas of Joint Action A “Due to an electrical fault at the enlightenment gallery…” production 01/01/2013 - 01/01/2014 For the period of 1 year, beginning at midnight on the 01/01/2013 and e ...
W3882
19.05.2011
Wheatfields - Carlo Marcucci
WWW
Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood. "The Gate" ...
Large imaginary sculptures made of pasta strands. These non-existent structures are based on the "Wheatfields" body of work. "Wheatfields" are existent wall-mounted sculptures made of spaghetti and various kinds on noodles applied to wood. "The Gate" ...
W4907
13.08.2012
Text - Cristina Zabalaga
WWW
A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...
A 16:43 min fictional experimental film exploring the limits of language. Why can‘t we live without words? The continuity of language and discourse constitutes a bridge over the abyss of loss and despair. Text THE WASTE LAND, T.S. Eliot II. A ...
W3709
17.05.2011
Temple Grandin - Teodoro Lupo
WWW
During a well and prominently attended vernissage, such as the Art Basel or Frieze opening, nitrous oxide (commonly known as laughing gas) will be poured into the air. Doors will be closed from outside. I (but I'm sure I will easily find some colleagues ...
During a well and prominently attended vernissage, such as the Art Basel or Frieze opening, nitrous oxide (commonly known as laughing gas) will be poured into the air. Doors will be closed from outside. I (but I'm sure I will easily find some colleagues ...
W4332
24.05.2011
The Golden Pavilion - Xawery Wolski
WWW
The Golden Pavilion. 1993 What is essentially remote is the unapproachable. In fact, the main quality of an image used for worship is its inapproachability. By its very nature, it is always remote, as close as it may be. One can approach its material rea ...
The Golden Pavilion. 1993 What is essentially remote is the unapproachable. In fact, the main quality of an image used for worship is its inapproachability. By its very nature, it is always remote, as close as it may be. One can approach its material rea ...