Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Whether censored, forgotten, postponed, impossible, or rejected, unrealized projects form a unique testament to the speculative power of non-action.

AUP follows the publication entitled “Unbuilt Roads: 107 Unrealized Projects,” collated by Hans Ulrich Obrist and Guy Tortosa after several years of international research conducted in the late 1990s. Twenty years later, the Agency of Unrealized Projects was formed in collaboration with Julieta Aranda and Anton Vidokle, and an open call for unrealized projects was issued for its first public exhibition at ArtBasel in 2011. The open call will continue until all unrealized art projects are compiled.

City Hall Tower Night Ilumination - Krysztof Wodiczko

The Clock - Ayse Erkmen

The insurer - Fabrice Hybert

AUSSICHTSTURM, HOLZHAUS (WOHNHAUS), SCHWIMMBECKEN, FREIE FAHRT - Maria Eichhorn

Untitled, modeled after the Leipzig Völkerschlachtdenkmal...  - Jenny Holzer

The lmprobable Flow - Larry Bell

"400" - Manfred Pernice

PROJEKT - Ulrich Rückreim

My House - Uri Tzaig

Square Depression - Bruce Nauman

Agency of Unrealised Projects
Logo by Liam Gillick
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Date
Title
Source
Description
Tags
U9726
01.01.1971
KEEPING IN TOUCH - Allan Kaprow
Unbuilt Roads
A global network of simultaneously transmitting and receiving " TV Arcades." Open to the public twenty-four hours a day, like any washerette. An arcade in every big city of the world. Each equipped with a hundred or more monitors of different sizes from a ...
A global network of simultaneously transmitting and receiving " TV Arcades." Open to the public twenty-four hours a day, like any washerette. An arcade in every big city of the world. Each equipped with a hundred or more monitors of different sizes from a ...
W4341
24.05.2011
“Immediate work” - Janet Stafford
WWW
“Immediate work” is the way I describe my new work and proposed work because the basis for it is a process that involves walking into the woods or walking outside anywhere, being aware of what I am noticing, and then using what I am noticing to make w ...
“Immediate work” is the way I describe my new work and proposed work because the basis for it is a process that involves walking into the woods or walking outside anywhere, being aware of what I am noticing, and then using what I am noticing to make w ...
W4769
29.05.2011
sam still
WWW
911, 9 + 11 = 20. A series of 20 paintings, with 10 completed inspired by the sadness of 911. ...
911, 9 + 11 = 20. A series of 20 paintings, with 10 completed inspired by the sadness of 911. ...
W3842
19.05.2011
BLIND SPOT - KimSu Theiler
WWW
dimensions variable Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again. 8 cameras in a circle point out over the room. 8 grid camera view re ...
dimensions variable Can we turn the horror of being dematerialized whether in the eyes of a beloved or in a community into the super-hero power of invisibility and back again. 8 cameras in a circle point out over the room. 8 grid camera view re ...
W4898
11.08.2012
Space and Time - Joe Sobel
WWW
In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet ...
In graduate school I would rearrange my studio constantly. It wasn’t until after I learned of the term tabulology, while studying The Peter Principle. It is the study of unusual arrangements of desks, workbenches, etc. with acts of habituation and repet ...