Ann Daly adaly@aya.yale.edu BUILDING DRAWING II: "SEEDBED, AND...” is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste ...

Peter Friedl, Hanover House, 2003 Proposal for Hanover 5 inkjet prints, 100 x 133 cm each Hanover House (2003) Treehouses are common images and objects of desire for individualism, dropping out, childhood, being in tune with nature, self-determin ...

Glacial Risk Management Institute (GRMI): Angela Ellsworth and Leigh McCarthy Title: We Might Be Snowmakers In order to slow or reverse the retreat of glaciers, the GRMI proposes setting up large-scale snow blowers to increase the size of Europe’s la ...

For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...

Second nature – A dystopian view into virtual farming There are 80 million urban farmers across the world, but they are farming virtually through social networks. What does this imply for the future of the farm? How is this reshaping our perception o ...

Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart ...

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