Ann Daly adaly@aya.yale.edu BUILDING DRAWING II: "SEEDBED, AND...” is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste ...

Peter Friedl, Hanover House, 2003 Proposal for Hanover 5 inkjet prints, 100 x 133 cm each Hanover House (2003) Treehouses are common images and objects of desire for individualism, dropping out, childhood, being in tune with nature, self-determin ...

Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie ...

At the moment I am working on a project which relates Nature and Religion. Are they complementary? Do they share common roots? Do they justify one another. Is one consequence of the other? I use photography to manipulate images confronting human beliefs. ...

Project presented to Basilea Committee, year 2008 Project GLASS WIND Starting from the sentence “in the electric technology’s regime, the duty of the man becomes that to learn and to know; all the forms of wealth derive from the move of inform ...

2007 Idea The work is planed to be an interactive video animation, set in the gallery or on a window of the gallery. Video is scene with the birds freely resting on the branches on a tree in the landscape. AUDIO: ... sound of their “talk” .. ...

Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart ...