“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls. ...

Ann Daly adaly@aya.yale.edu BUILDING DRAWING II: "SEEDBED, AND...” is a play on Acconci's performance of similar name. The 'SeedBed, and…” is meant to be entered through a below ground tunnel, just large enough for a six foot person, who ste ...

For the series of black and white still life’s, Photographs of Common Objects, I used a 4” x 5” view camera to capture in fine detail, the form and surface of relics from daily life. Among them - adding machines, ceramic, glass, and plastic cups, ki ...

Second nature – A dystopian view into virtual farming There are 80 million urban farmers across the world, but they are farming virtually through social networks. What does this imply for the future of the farm? How is this reshaping our perception o ...

Path to nothingness The mountains had been waiting for me, every rivulet, boulder, weathered rock too. And the icy winds let me know that. At 60kph, the wind resistance knocks down the speed to a mere 10kph and drills sand into my nose. Melting snow ha ...

Stephen M. Da Lay has met the requirements for the Marjorie Schiele Prize. He received his BFA from the Kansas City Art Institute in 1989, and his work has been shown nationally and internationally. Stephen’s work has been exhibited at 2nd Penang I ...

Statement Blurring boundaries of art and architecture, G.F. Zaimis work explores the nature of shape and form from the most minimal to monumental, abstract to literal, painting to photography. The essence of her work addresses architecture’s shap ...