Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart
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Nature is always quick to assume the position of history when history, like an impotent and weary creature, gradually loosens its hold on things, receding deeper and deeper into the negative space of oblivion, during its irreversible descent coming apart
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
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Gilles Clément
The environmental charter
Project for Vassivière, France
From 2003
All the territory of Vassivière, France
In 2003, Gilles Clément proposes, following the request of the Region Limousin, an environmental charter of Vassivière te
...
“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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“Escape Vine” was a proposal for an evolving sculptural work of live vines. The vines would grow up ladder-shaped wire trellises on either side of massive, 30-foot-high prison walls.
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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The series “Trespassing” explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded.
The photographer harnesses the forces of wind, currents and wave
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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photographic series “Nursery”
This series of photographs began as a project where Ismini Haholiadou was exploring different trajectories in her practice. Where she previously set up spaces and scenes to photograph, in this project she scouted for
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Malin Ståhl: Becoming a Tree
Inside of me there is a wish to Become a Tree, to stand very still and serenely let my my branches wave in the wind. I made my first attempt at Becoming a Tree in 1999 shielding my naked body with the bark of a spruce tree
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Malin Ståhl: Becoming a Tree
Inside of me there is a wish to Become a Tree, to stand very still and serenely let my my branches wave in the wind. I made my first attempt at Becoming a Tree in 1999 shielding my naked body with the bark of a spruce tree
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