TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
...
TWO IMAGES OF WHAT I CALL THE ENDLESS CHARACTER OF A NATURE FULL OF NATIVES.
I DONT THINK THIS WILL OR COULD BE EVER FINISHED BECAUSE TO ME THEY WERE BORN BY THE TIME THEY DIED. SO THEY REMAIN A PHOTOGRAPH THAT NEED A STILL LIFE SHOT.
...
Digital images from an evolving collection of unintentional human mark making
Images related as a record of a chance incident in time that has left a physical mark -evidence of the moment. Each mark has its origins as unique, unintentional and undesir
...
Digital images from an evolving collection of unintentional human mark making
Images related as a record of a chance incident in time that has left a physical mark -evidence of the moment. Each mark has its origins as unique, unintentional and undesir
...
The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
...
The 103rd Kilometer
My work is driven by the need to return to my birthplace,
in order to analyze the factors that affected my identity development.
My childhood memories are built from stories, images and dreams.
When I finally get physically to
...
Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
...
Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
...