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Date
Title
Source
Description
Tags
W5228
08.10.2012
Julie Ball
WWW
Digital images from an evolving collection of unintentional human mark making Images related as a record of a chance incident in time that has left a physical mark -evidence of the moment. Each mark has its origins as unique, unintentional and undesir ...
Digital images from an evolving collection of unintentional human mark making Images related as a record of a chance incident in time that has left a physical mark -evidence of the moment. Each mark has its origins as unique, unintentional and undesir ...
W5135
19.09.2012
The 103rd Kilometer - Sasha Tamarin
WWW
The 103rd Kilometer My work is driven by the need to return to my birthplace, in order to analyze the factors that affected my identity development. My childhood memories are built from stories, images and dreams. When I finally get physically to ...
The 103rd Kilometer My work is driven by the need to return to my birthplace, in order to analyze the factors that affected my identity development. My childhood memories are built from stories, images and dreams. When I finally get physically to ...
W5207
04.10.2012
Image Intermission - Andreas M. Kaufmann
WWW
Dear all, here comes another submission for possible inclusion in AUP at the daadgalerie in Berlin: Project "Bilderpause" / "Image Intermission" 1996/2000 The Project and the photographs are attached to that form. Enjoy! Bilderpause Ein Pause ...
Dear all, here comes another submission for possible inclusion in AUP at the daadgalerie in Berlin: Project "Bilderpause" / "Image Intermission" 1996/2000 The Project and the photographs are attached to that form. Enjoy! Bilderpause Ein Pause ...
W10583
18.06.2014
Downriver - Jonathan Parsons
WWW
proposal for the 2010 Spitalfields Sculpture Prize Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e ...
proposal for the 2010 Spitalfields Sculpture Prize Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e ...