Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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Three Little Words started my work with visual language. This series contains my colorful gouache drawings of engagement diamonds accompanied by three words in black cursive text. I painted the most symbolic engagement diamonds from Tiffany's and Cartie
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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In 2009 I began a series of tissue paper cut outs inspired by Mexican Day of the Dead papel picado banners drawing subject matter from news sources. I envision the banners as an ongoing series adding to the historical record. I would like to see them dis
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pencil drawings on paper by Jack Kirby and Thom of Finland - Paul Beuchat
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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Exhibition of pencil drawings on paper by Jack Kirby and Thom of Finland focusing on images that are similar in form, material and subject matter - muscular men in uniform - to expose the drawn line as a perfect mirror of the maker, independently of form
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