Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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Gävle, Sweden, 2003
In 2002 Esther Shalev-Gerz was invited to realize a project in Gävle, Sweden.
“What is the portrait of a city? Is it the city today or is it both what it is today and what it could have been?
When I first visited Gavle I w
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TERRITORY: Bank parking lot mural Canada - Derek Michael Besant
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Client: Bank of Nova Scotia / Canada
Date: 2010
Industrial UV ink imaging applications to large-scale alucobond curtainwall sheets at second storey level attached in sections that create a narrative of:
• Out-of-focus faces
• Everyday objects
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Client: Bank of Nova Scotia / Canada
Date: 2010
Industrial UV ink imaging applications to large-scale alucobond curtainwall sheets at second storey level attached in sections that create a narrative of:
• Out-of-focus faces
• Everyday objects
...
The 'Not at...' series: Installations that never were... - Claire Manning
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
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This series of work is a set of installations proposed but not realised.
It is an ongoing project aimed at freeing another piece -- 'In the shadow of her gaze n.02' -- from the constraints of its reliance with the wall. Each proposal is capable of bei
...