#
Date
Title
Source
Description
Tags
W4282
24.05.2011
USS PALIN - Kevin Sampson
WWW
Book of Ezekiel (12: 1-2) " ... Oh mortals, thou dwellest among the rebellious breed. They have eyes to see but see not; they have ears to hear, but hear not..." I have been constructing vessels for several years. After thinking about the current s ...

Book of Ezekiel (12: 1-2) " ... Oh mortals, thou dwellest among the rebellious breed. They have eyes to see but see not; they have ears to hear, but hear not..."

I have been constructing vessels for several years. After thinking about the current state of politics in the United States and the current national conversation on civility, I have decided to build an environment that contains a symbolic vessel that will be powered by the wind that is blowing across the world.

Vision Statement

As the waves of protest pummel the Middle East, as their swelling protests shake the Egyptian state. We are all watching as the Middle East is being turned on its head. Tunis is the force that pushed Egypt and Egypt is becoming the force that is pushing the world. The wind in the Middle East is powered by social media and the internet and the waves are the people. The recent shooting of the Congresswoman from Arizona reminded me of another time in America when it was almost ripped apart, by race, an unjust war, and a fight between the establishment and rebellious youth. Many years have passed, but, it seems to me that we are once again on a similar precipice: a political conflict based on a set of conflicting cultural values in America. It is not blue and gray this time, but red and blue, liberals and conservatives, independents and moderates, as well as single-issue fringe groups who have become alarmingly vociferous. Across much of the rest of the world, people have taken to the streets, protesting the G-20 summit, greedy dictators too long in power, and world leaders who represent Big Business at the expense of the poor. In other parts of the world people are demanding more rights. The Middle East is ablaze. Africa is turning to dust, China is growing stronger by the day and Paris has already burned. But in America we have a more conflicted situation. The election of the first African American president of the United States has been both widely lauded and not so secretly lamented. President Obama’s election much like the conflicts in the Middle East was also mostly powered by the social media (the wind) and this country’s youth, and by their expectation, no, by their demand for change (the waves). You would think that this election would have succeeded in putting many of Americas shameful past misdeeds to rest. But Quite the Opposite is true; it has in fact caused a backlash against change and is causing a vocal group of privileged but delusional Americans to seek a return to the status Quo. Racism is still rampant, yet clothed in questions of nationality and unrealistic expectations. Racism against immigrants is clothed in dubious questions of legality.

However it is clothed, this national conflict in America is at an unsustainable level. This call, this ill wind, blows daily, 24/7, from radio talk shows, shrilly-partisan television news broadcasts, political websites, plus ubiquitous blogs, twitter messages and anonymous electronic messages of hate and vitriol that has created a caustic environment. America has gone partly mad; many of its citizens, and even some of its politicians, are pursuing a blind return to a constitution written by slave-owning ancestors who did not include people of color or women. Issues with starkly opposing stances. Which could easily lead to grievous conflicts at home and abroad they include immigration, health care, unjust wars, abuses in our prison system, abortion, corruption and greed on Wall Street and in our banking system, a lagging economy, rampant unemployment, the abandoned poor and destitute.
I am mystified by the inability of so many of our citizens to see how the overwhelming power and influence of the wealthy corporate class directly affects the lives of the deeply troubled middle class as well as the struggling working poor, so many of whom seem to be losing their faith in “the American dream.” I wonder why they don’t see the growing threat of the military industrial complex. So, while researching this project and the history of protest, I listened to music from that earlier time when America was also on the verge of massive change. Before the Internet the wind manifested itself as a call and response, powered by music (For example “We shall over come” and word of Mouth. I once again heard the words to “Blowin’ in the Wind,” a popular political protest song written by Bob Dylan during the1960’s civil rights era. Then I found out that Dylan’s song was largely influenced by an old Negro spiritual, “No More Auction Block.” He wanted to express the same feelings evoked by that moving spiritual. How appropriate that an old spiritual that grew out of a profound condemnation of the slave trade would inspire a folk song that would pose and repeat age-old questions: questions about peace and war; questions about human rights and human freedom. My decision to create a symbolic vessel seemed even more significant and rewarding.

My “A Ha” moment! For this exhibition, I am inspired to create another vessel, part boat, part auto that will symbolize the difficult and complicated times that my country has gone and is going through. This vessel will focus on the presence of Barack Obama as President of the United States of America and the resurgence of far right wing political activists. A vessel powered by What’s Blowin‘ In the Wind: powered by so many poignant memories, historical, recent, and present. With this vessel, this ship of state which is sailing in foul water and being blown asunder by ill winds, I will try to invoke insight to the blind eye that too many have turned toward our fast brewing storm of national conflict. In their longing for a delusional past, they quite literally do not seem to see the folly of their convictions.

IMAGES OF THE BOAT IN WIND AND WATER -
IN REALITY AND IN ART Having used a boat quite frequently in my recent work, this opportunity in Venice will allow me to take my work to the next level. The boat, the ship, the vessel - is a international symbol, of war, peace, as well as colonization. Just a few examples: • The slave ships and their stolen cargo: our African ancestors, whose struggle for freedom continues in the African American’s dream for their piece of the American pie. • The iconic 1851 oil-on-canvas painting by German American artist Emanuel Gottlieb Leutze. • The USS ARIZONA most remembered because of her sinking, with the loss of 1,177 lives, during the Japanese attack on Pearl Harbor on 7 December 1941, the event that goaded the US into World War II. • The stirring imagery of John Kennedy piloting Pt 109. • The Vietnamese refugees known as "the boat people.” • The Cuban exodus to Miami and beyond, known as the Mariel Boatlift. • The Katrina tragedy when New Orleans and surrounding areas were inundated by waters rushing from poorly built levees. The searing images of small boats attempting rescues, sometimes successfully, sometime not. A mind-altering scar in our American memory. • The right wing Swift Boat Veterans and POWs for Truth, who, in 2004, shamelessly distorted the truth to oppose John Kerry's U.S. presidential campaign. • The current "Tea Party" historical reference to the Boston Tea Party protest by colonists in 1773 who demonstrated their objection to a British tax on tea by dumping British tea taken from docked ships into the harbor. Waters. • And of course Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water" • The location of the upcoming exhibit the Fondaco dei Tedeschi "The Germans' Inn" was once used as the restricted living quarters of the city's German merchants, as well as serving as their headquarters.

The Installation

 As I have indicated, I am inspired by these and other powerful and haunting memories and images, both past and present, in actual events, artistic renditions and enduring possibilities of the boat - that vessel whose mission it has always been and still is, to transport us via the wind and the water from where we are to where we want to be.

 I intend on constructing a environment whose total is 34’by 34’ or 1153 (sq.ft.) of 1181 total (Sq.ft).I will allow for 5’ of space set aside for pedestrian traffic. A platform 29’ by 29’ platform or bed will be constructed from plywood. On which sits a the vessel resembles a boat with six (6) bicycle tires. The vessel will be 8’ Wide by 21’ Feet Long, (1153 Square It will be build on a raised platform which is build on a raised platform 

Using iconic image of George Washington crossing the Delaware as a starting point. This Vehicle will be made from lightweight plywood; it will be draped in hardened, (Painted) cloth and found objects including some objects that may inspire the viewer to confront some of the signature issues of the tea party and/or American right leaning citizenry. Materials. I will adorn the boat with boggles, bangles, beads and other sundries, think carnival gone tribal. The triptych • This vehicle will be built in three separate and distinctively different sections. • The front half will represent corporations and its right winged constituency as it’s voice is carried by the media and its wind. It will be stuffed to the gills with toy guns, dolls and other purchased and found objects. • The middle of the boat will contain objects that represent the liberal elite, scholars, noble prizewinners, woman’s right activist, the gay rights movement, Technology, and the muted African American Leadership... It will contain books, glasses, stuffed teddy bears, and found objects. • The rear or third section of the boat will represent the working poor the disposed and homeless. It will contain broken objects, ie.broken toys, ripped up books, trash, and clutter. Illustrating this segment of the suffering population that has been casted adrift.

The sails

The vessel will have three similar painted sails • Each section of this triptych, will contain a sail with a mask, the size of each sail will depend on the height requirement and will be subject to change. But each sail with be at least 15’ high and 6’ wide. • The Sail in the first boat will be made from painted cloth or canvass that resembles a mutated confederate flag. • The middle section of the boat will be the American flag (torn and tattered. attached or anchored to the mask of this boat will be a 6’ scarecrow, stuffed with straw and wearing a altered Uncle Sam suit and Top hat. • The last or third portion of this triptych, the disenfranchised masses, will be a painted sail, influenced by Venice itself, on its sail will be painted iconic religious imagery, based on my first impressions of Venice and its buildings, canals and churches. It will represent spirituality, hope, etc. and God. The objects in all sections of the boat will be subject to availability.

Additional Materials . The boat will be separated by color ideology and will be floating through a sea President Obama election posters “yes we can’, each with a multiple tea cups sitting upon them, (depending on which materials we find). It will be colorfully painted, with both spray paint, acrylic paint, stains and glitter. I will use text such as Sarah Palin’s phrase “Blood Libel,” as one of the mantras of this madness. All of this will be sitting on a bed of President Obama’s “Yes We Can” posters. There will be six small trees (Bushes) 4’-5’, with either dollar bills as leaves or small copies of the Constitution. Dimensions of Installation

SONGS OF INSPIRATION

BLOWIN’ IN THE WIND by Bob Dylan

How many roads must a man walk down? Before you call him a man? How many seas must a white dove sail Before she sleeps in the sand? Yes, 'n' how many times must the cannon balls fly Before they're forever banned? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.

How many times must a man look up? Before he can see the sky? How many ears must one man have? Before he can hear people cry? Yes, 'n' how many deaths will it take till he knows That too many people have died? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.

How many years can a mountain exist Before it's washed to the sea? How many years can some people exist Before they're allowed to be free? Yes, 'n' how many times can a man turn his head, Pretending he just doesn't see? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind. NO MORE AUCTION BLOCK

No more auction block for me No more, no more No more auction block for me Many thousands gone

No more driver’s lash for me No more, no more No more driver’s lash for me Many thousands gone

No more whip lash for me No more, no more No more pint of salt for me Many thousands gone

No more auction block for me

No more, no more More auction block for Many thousands gone

A Slave Ship

Washington Crossing the Delaware by Emanuel Gottlieb Leutze

Washington Crossing the Delaware by Emanuel Gottlieb Leutze

Port Royal by Kevin Blythe Sampson

Book of Ezekiel (12: 1-2) " ... Oh mortals, thou dwellest among the rebellious breed. They have eyes to see but see not; they have ears to hear, but hear not..." I have been constructing vessels for several years. After thinking about the current s ...

Book of Ezekiel (12: 1-2) " ... Oh mortals, thou dwellest among the rebellious breed. They have eyes to see but see not; they have ears to hear, but hear not..."

I have been constructing vessels for several years. After thinking about the current state of politics in the United States and the current national conversation on civility, I have decided to build an environment that contains a symbolic vessel that will be powered by the wind that is blowing across the world.

Vision Statement

As the waves of protest pummel the Middle East, as their swelling protests shake the Egyptian state. We are all watching as the Middle East is being turned on its head. Tunis is the force that pushed Egypt and Egypt is becoming the force that is pushing the world. The wind in the Middle East is powered by social media and the internet and the waves are the people. The recent shooting of the Congresswoman from Arizona reminded me of another time in America when it was almost ripped apart, by race, an unjust war, and a fight between the establishment and rebellious youth. Many years have passed, but, it seems to me that we are once again on a similar precipice: a political conflict based on a set of conflicting cultural values in America. It is not blue and gray this time, but red and blue, liberals and conservatives, independents and moderates, as well as single-issue fringe groups who have become alarmingly vociferous. Across much of the rest of the world, people have taken to the streets, protesting the G-20 summit, greedy dictators too long in power, and world leaders who represent Big Business at the expense of the poor. In other parts of the world people are demanding more rights. The Middle East is ablaze. Africa is turning to dust, China is growing stronger by the day and Paris has already burned. But in America we have a more conflicted situation. The election of the first African American president of the United States has been both widely lauded and not so secretly lamented. President Obama’s election much like the conflicts in the Middle East was also mostly powered by the social media (the wind) and this country’s youth, and by their expectation, no, by their demand for change (the waves). You would think that this election would have succeeded in putting many of Americas shameful past misdeeds to rest. But Quite the Opposite is true; it has in fact caused a backlash against change and is causing a vocal group of privileged but delusional Americans to seek a return to the status Quo. Racism is still rampant, yet clothed in questions of nationality and unrealistic expectations. Racism against immigrants is clothed in dubious questions of legality.

However it is clothed, this national conflict in America is at an unsustainable level. This call, this ill wind, blows daily, 24/7, from radio talk shows, shrilly-partisan television news broadcasts, political websites, plus ubiquitous blogs, twitter messages and anonymous electronic messages of hate and vitriol that has created a caustic environment. America has gone partly mad; many of its citizens, and even some of its politicians, are pursuing a blind return to a constitution written by slave-owning ancestors who did not include people of color or women. Issues with starkly opposing stances. Which could easily lead to grievous conflicts at home and abroad they include immigration, health care, unjust wars, abuses in our prison system, abortion, corruption and greed on Wall Street and in our banking system, a lagging economy, rampant unemployment, the abandoned poor and destitute.
I am mystified by the inability of so many of our citizens to see how the overwhelming power and influence of the wealthy corporate class directly affects the lives of the deeply troubled middle class as well as the struggling working poor, so many of whom seem to be losing their faith in “the American dream.” I wonder why they don’t see the growing threat of the military industrial complex. So, while researching this project and the history of protest, I listened to music from that earlier time when America was also on the verge of massive change. Before the Internet the wind manifested itself as a call and response, powered by music (For example “We shall over come” and word of Mouth. I once again heard the words to “Blowin’ in the Wind,” a popular political protest song written by Bob Dylan during the1960’s civil rights era. Then I found out that Dylan’s song was largely influenced by an old Negro spiritual, “No More Auction Block.” He wanted to express the same feelings evoked by that moving spiritual. How appropriate that an old spiritual that grew out of a profound condemnation of the slave trade would inspire a folk song that would pose and repeat age-old questions: questions about peace and war; questions about human rights and human freedom. My decision to create a symbolic vessel seemed even more significant and rewarding.

My “A Ha” moment! For this exhibition, I am inspired to create another vessel, part boat, part auto that will symbolize the difficult and complicated times that my country has gone and is going through. This vessel will focus on the presence of Barack Obama as President of the United States of America and the resurgence of far right wing political activists. A vessel powered by What’s Blowin‘ In the Wind: powered by so many poignant memories, historical, recent, and present. With this vessel, this ship of state which is sailing in foul water and being blown asunder by ill winds, I will try to invoke insight to the blind eye that too many have turned toward our fast brewing storm of national conflict. In their longing for a delusional past, they quite literally do not seem to see the folly of their convictions.

IMAGES OF THE BOAT IN WIND AND WATER -
IN REALITY AND IN ART Having used a boat quite frequently in my recent work, this opportunity in Venice will allow me to take my work to the next level. The boat, the ship, the vessel - is a international symbol, of war, peace, as well as colonization. Just a few examples: • The slave ships and their stolen cargo: our African ancestors, whose struggle for freedom continues in the African American’s dream for their piece of the American pie. • The iconic 1851 oil-on-canvas painting by German American artist Emanuel Gottlieb Leutze. • The USS ARIZONA most remembered because of her sinking, with the loss of 1,177 lives, during the Japanese attack on Pearl Harbor on 7 December 1941, the event that goaded the US into World War II. • The stirring imagery of John Kennedy piloting Pt 109. • The Vietnamese refugees known as "the boat people.” • The Cuban exodus to Miami and beyond, known as the Mariel Boatlift. • The Katrina tragedy when New Orleans and surrounding areas were inundated by waters rushing from poorly built levees. The searing images of small boats attempting rescues, sometimes successfully, sometime not. A mind-altering scar in our American memory. • The right wing Swift Boat Veterans and POWs for Truth, who, in 2004, shamelessly distorted the truth to oppose John Kerry's U.S. presidential campaign. • The current "Tea Party" historical reference to the Boston Tea Party protest by colonists in 1773 who demonstrated their objection to a British tax on tea by dumping British tea taken from docked ships into the harbor. Waters. • And of course Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water" • The location of the upcoming exhibit the Fondaco dei Tedeschi "The Germans' Inn" was once used as the restricted living quarters of the city's German merchants, as well as serving as their headquarters.

The Installation

 As I have indicated, I am inspired by these and other powerful and haunting memories and images, both past and present, in actual events, artistic renditions and enduring possibilities of the boat - that vessel whose mission it has always been and still is, to transport us via the wind and the water from where we are to where we want to be.

 I intend on constructing a environment whose total is 34’by 34’ or 1153 (sq.ft.) of 1181 total (Sq.ft).I will allow for 5’ of space set aside for pedestrian traffic. A platform 29’ by 29’ platform or bed will be constructed from plywood. On which sits a the vessel resembles a boat with six (6) bicycle tires. The vessel will be 8’ Wide by 21’ Feet Long, (1153 Square It will be build on a raised platform which is build on a raised platform 

Using iconic image of George Washington crossing the Delaware as a starting point. This Vehicle will be made from lightweight plywood; it will be draped in hardened, (Painted) cloth and found objects including some objects that may inspire the viewer to confront some of the signature issues of the tea party and/or American right leaning citizenry. Materials. I will adorn the boat with boggles, bangles, beads and other sundries, think carnival gone tribal. The triptych • This vehicle will be built in three separate and distinctively different sections. • The front half will represent corporations and its right winged constituency as it’s voice is carried by the media and its wind. It will be stuffed to the gills with toy guns, dolls and other purchased and found objects. • The middle of the boat will contain objects that represent the liberal elite, scholars, noble prizewinners, woman’s right activist, the gay rights movement, Technology, and the muted African American Leadership... It will contain books, glasses, stuffed teddy bears, and found objects. • The rear or third section of the boat will represent the working poor the disposed and homeless. It will contain broken objects, ie.broken toys, ripped up books, trash, and clutter. Illustrating this segment of the suffering population that has been casted adrift.

The sails

The vessel will have three similar painted sails • Each section of this triptych, will contain a sail with a mask, the size of each sail will depend on the height requirement and will be subject to change. But each sail with be at least 15’ high and 6’ wide. • The Sail in the first boat will be made from painted cloth or canvass that resembles a mutated confederate flag. • The middle section of the boat will be the American flag (torn and tattered. attached or anchored to the mask of this boat will be a 6’ scarecrow, stuffed with straw and wearing a altered Uncle Sam suit and Top hat. • The last or third portion of this triptych, the disenfranchised masses, will be a painted sail, influenced by Venice itself, on its sail will be painted iconic religious imagery, based on my first impressions of Venice and its buildings, canals and churches. It will represent spirituality, hope, etc. and God. The objects in all sections of the boat will be subject to availability.

Additional Materials . The boat will be separated by color ideology and will be floating through a sea President Obama election posters “yes we can’, each with a multiple tea cups sitting upon them, (depending on which materials we find). It will be colorfully painted, with both spray paint, acrylic paint, stains and glitter. I will use text such as Sarah Palin’s phrase “Blood Libel,” as one of the mantras of this madness. All of this will be sitting on a bed of President Obama’s “Yes We Can” posters. There will be six small trees (Bushes) 4’-5’, with either dollar bills as leaves or small copies of the Constitution. Dimensions of Installation

SONGS OF INSPIRATION

BLOWIN’ IN THE WIND by Bob Dylan

How many roads must a man walk down? Before you call him a man? How many seas must a white dove sail Before she sleeps in the sand? Yes, 'n' how many times must the cannon balls fly Before they're forever banned? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.

How many times must a man look up? Before he can see the sky? How many ears must one man have? Before he can hear people cry? Yes, 'n' how many deaths will it take till he knows That too many people have died? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind.

How many years can a mountain exist Before it's washed to the sea? How many years can some people exist Before they're allowed to be free? Yes, 'n' how many times can a man turn his head, Pretending he just doesn't see? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind. NO MORE AUCTION BLOCK

No more auction block for me No more, no more No more auction block for me Many thousands gone

No more driver’s lash for me No more, no more No more driver’s lash for me Many thousands gone

No more whip lash for me No more, no more No more pint of salt for me Many thousands gone

No more auction block for me

No more, no more More auction block for Many thousands gone

A Slave Ship

Washington Crossing the Delaware by Emanuel Gottlieb Leutze

Washington Crossing the Delaware by Emanuel Gottlieb Leutze

Port Royal by Kevin Blythe Sampson