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Date
Title
Source
Description
Tags
W5274
15.10.2012
Regret - Francesca Arri
WWW
Francesca Arri Regret 2010, onions, size ambient In a place of forced passage, without windows, which can be accessed through a curtain, you find yourself in front of a floor completely covered with onions, cut almost all the user will have to st ...
Francesca Arri Regret 2010, onions, size ambient In a place of forced passage, without windows, which can be accessed through a curtain, you find yourself in front of a floor completely covered with onions, cut almost all the user will have to st ...
W5238
09.10.2012
Nicole De Brabandere
WWW
AUP - Berliner Künstlerprogramm/ DAAD Nicole De Brabandere In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco ...
AUP - Berliner Künstlerprogramm/ DAAD Nicole De Brabandere In 2009 I put in motion the possibility of amassing all of the doorknobs from an institutional building that was slated for demolition. After many phone calls to various authorities I disco ...
W5252
11.10.2012
Scott Rogers
WWW
While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti ...
While I realize that Walter De Maria's Earth Room in New York is continuously groomed and manicured to prevent any trace of change, I wish / fantasize that it could be planted (if only for a very brief growing season). I don't think of this as iconoclasti ...
W10583
18.06.2014
Downriver - Jonathan Parsons
WWW
proposal for the 2010 Spitalfields Sculpture Prize Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e ...
proposal for the 2010 Spitalfields Sculpture Prize Downriver further develops my established practice of making ‘dissected’ map sculptures. Previously, I have taken actual source maps and cut away everything from them except one particular visual e ...