“The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...)”
Basic Concept: My goal is to investigate the expressive possibilities of conceptual visual language and to develop Collaborative New Art as part of both Contemporary Art/Contemporary Global Structure and the Technological Civilization in which we live today. I am especially interested in finding out how contemporary art can enhance the distribution of information and foster a profound universality in the human nature and cross-cultural artistic and critical collaboration. The meaning of the very possibility to enrich contemporary art may also come into question. In my inquiry, I am guided by the following set of questions: Are sensations-reactions to contemporary art still significant today? In what way and how can contemporary art theory and practice address and help solve today’s global problems? And finally, Can contemporary conceptual art disclose the corrupted social values in mega polices and create a bridge between the present and the future generations?. I am directing my energies towards the exploration of the phenomenon of crossinterdisciplinary of art and culture, and searching for answers that can help reverse the subordination and objective materialism, which are prevalent in today’s society. What are the thoughts, doubts, fears, uncertainties, and reflections that we have and experience as we head towards the new material and immaterial territories, which we are to inhabit in the future? I am still in a search for the unexplored facets of experience. I hope that I will be able to continue my "artistic research studies" and wish to improve my artistic ability in the international art community. I would like to work and sharing with peoples from all background, particularly those who are interested in ideas that can link across media boundaries. I am interested in combinations more than purity and expanding in “Development of ideas from concept to creation the Contemporary Art and Modern Art". In between: natural and science, contemporary arts with new media arts, textile and sound/music, textile with sculpture and video, textile with sculpture and architecture, textile with architecture and textile with design, text and found objects, traditional with contemporary civilization, tradition and modernity, historically and modernity, this type of thing. I like to encourage experimentation and open-ended exploration rather than fine-tuning and polished results. I think of this studies session as a as a laboratory not a term paper. I plan work on an interactive community-based project that is a part of my art process. I would like invited childrens, peoples/artists and disabled persons for sharing their Wishes/Dreams in my artwork project. I would welcome the participation and insight of some of the Associates, but this is totally voluntary. The final experimental artwork intend to be “mix medias” between textile, found objects, sound, text, design, sculpture, architecture and DVD-installation that will be a documentary film and fantasy film and that is a part of the total documentation from different region of the world. The documentation is a continuing development of my project in which all parts will influence each other permanent. The human’s spirit in this area (City and surroundings) shall be a part of a global network by this documentation. You can take a look some data information about my artworks on the following websites. http://www.chutiwongpeti.info I wait in anticipation for your reply. Thank you for your kind attention. Best regards, Sarawut
“The Installation series of Untitled (Wishes, Lies and Dreams >> Wonderfully Wonderful ...)”
Basic Concept: My goal is to investigate the expressive possibilities of conceptual visual language and to develop Collaborative New Art as part of both Contemporary Art/Contemporary Global Structure and the Technological Civilization in which we live today. I am especially interested in finding out how contemporary art can enhance the distribution of information and foster a profound universality in the human nature and cross-cultural artistic and critical collaboration. The meaning of the very possibility to enrich contemporary art may also come into question. In my inquiry, I am guided by the following set of questions: Are sensations-reactions to contemporary art still significant today? In what way and how can contemporary art theory and practice address and help solve today’s global problems? And finally, Can contemporary conceptual art disclose the corrupted social values in mega polices and create a bridge between the present and the future generations?. I am directing my energies towards the exploration of the phenomenon of crossinterdisciplinary of art and culture, and searching for answers that can help reverse the subordination and objective materialism, which are prevalent in today’s society. What are the thoughts, doubts, fears, uncertainties, and reflections that we have and experience as we head towards the new material and immaterial territories, which we are to inhabit in the future? I am still in a search for the unexplored facets of experience. I hope that I will be able to continue my "artistic research studies" and wish to improve my artistic ability in the international art community. I would like to work and sharing with peoples from all background, particularly those who are interested in ideas that can link across media boundaries. I am interested in combinations more than purity and expanding in “Development of ideas from concept to creation the Contemporary Art and Modern Art". In between: natural and science, contemporary arts with new media arts, textile and sound/music, textile with sculpture and video, textile with sculpture and architecture, textile with architecture and textile with design, text and found objects, traditional with contemporary civilization, tradition and modernity, historically and modernity, this type of thing. I like to encourage experimentation and open-ended exploration rather than fine-tuning and polished results. I think of this studies session as a as a laboratory not a term paper. I plan work on an interactive community-based project that is a part of my art process. I would like invited childrens, peoples/artists and disabled persons for sharing their Wishes/Dreams in my artwork project. I would welcome the participation and insight of some of the Associates, but this is totally voluntary. The final experimental artwork intend to be “mix medias” between textile, found objects, sound, text, design, sculpture, architecture and DVD-installation that will be a documentary film and fantasy film and that is a part of the total documentation from different region of the world. The documentation is a continuing development of my project in which all parts will influence each other permanent. The human’s spirit in this area (City and surroundings) shall be a part of a global network by this documentation. You can take a look some data information about my artworks on the following websites. http://www.chutiwongpeti.info I wait in anticipation for your reply. Thank you for your kind attention. Best regards, Sarawut