After the ruins of sities devastated by natural disasters and war, I began working in my studio with materials, cardboard, wood, light, and discarted objects, making structures that bring to mind, buildings and ancient cities, wells and theaters, stairs

¨My body of work is about re/connecting the dots between cultural history, family albums, social media, language, with new ideas about belonging (place), I depart from the constructed familiar memory My practice is using photography, drawing, and video to formally address and expand on common issues of territoriality, archival history, and longing.

to as an ongoing connection between drawing, photography, video, current news, and cinema. I aim to connect ideas and feelings about the presence to expand on the territories of our marks and construct new notions of present history .

Cuban ‘intercepting cultural influences within