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Date
Title
Source
Description
Tags
-10641
18.07.2014
The Last of All Maladies - Galería Perdida
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  • We have produced a typeface (TrueType font) to redirect the character usage in language. Such as it is, each letter is supplanted by a non-sequitur phrase turning the original copy unintelligible, yet repositioned as concrete poetry. Thus, each piece of w ...

    We have produced a typeface (TrueType font) to redirect the character usage in language. Such as it is, each letter is supplanted by a non-sequitur phrase turning the original copy unintelligible, yet repositioned as concrete poetry. Thus, each piece of writing in this new typeface will produce an aesthetic outcome alongside its obfuscated original. This new typography asserts the inherent tension found in language, highlighting the gap between meaning and text. Intended for use in print and digital publication, The Last of All Maladies contains properties to turn any essay, email, greeting, into a mutable and reflexive platform unhinged from the need of clarity.

    We have produced a typeface (TrueType font) to redirect the character usage in language. Such as it is, each letter is supplanted by a non-sequitur phrase turning the original copy unintelligible, yet repositioned as concrete poetry. Thus, each piece of w ...

    We have produced a typeface (TrueType font) to redirect the character usage in language. Such as it is, each letter is supplanted by a non-sequitur phrase turning the original copy unintelligible, yet repositioned as concrete poetry. Thus, each piece of writing in this new typeface will produce an aesthetic outcome alongside its obfuscated original. This new typography asserts the inherent tension found in language, highlighting the gap between meaning and text. Intended for use in print and digital publication, The Last of All Maladies contains properties to turn any essay, email, greeting, into a mutable and reflexive platform unhinged from the need of clarity.