#
Date
Title
Source
Description
Tags
W10370
17.04.2014
Redshift - Gabriel Rico
WWW
  • The proposal entitled "REDSHIFT" is a in situ-installation specific designed to mind all of the space of 'The Soap Factory' (12,000 sq feet) this installation course will function as a space within in another space, a place that feels like a corpuscular-o ...

    The proposal entitled "REDSHIFT" is a in situ-installation specific designed to mind all of the space of 'The Soap Factory' (12,000 sq feet) this installation course will function as a space within in another space, a place that feels like a corpuscular-organic system, through the scale of some elements (black spheres) and the atmosphere created by the visual spectrum which is red light. This installation aims to create an effect of spatial-conceptual continuity and amazement in those who witness, from the mix of elements from the art and science (theories & figures).

    My intention is to create an unreal molecular system composed by red light and black spheres, a system that works as an installation in which the possibilities for understanding subject to the imagination of each person.

    I decide to use red light: - For the physical reactions that causes red, reactions that are associated with a warm atmosphere, friendly yet powerful energy and then a fragment of a study conducted by Dr. Andrew Elliot, a psychologist at the University of Rochester (USA). The findings may have applications for sporting and other activities in which a brief burst of strength and speed is needed, such as weightlifting. But the authors caution that the color energy boost is likely short-lived. Red enhances our physical reactions because it is seen as a danger cue," & "Color affects us in many ways depending on the context complete article here: http://www.sciencedaily.com/releases/2011/06/110602122349.htm

    • For the relationship of the red color with the attraction between people and the possibilities that this creates, these physical reactions were checked by Dr. Daniela Niesta at the University of Rochester, here an article published in The Journal of Personality and Social Psychology. Complete article here http://www.rochester.edu/news/show.php?id=3268

    • On the illusory power that has the red light, power conducive to the feeling of being in another place, another world-system, other different from terrestrial atmosphere, with figurative connotations different than those that are perceived in the earth, the red light blurs the visual boundaries between the environment, the black spheres and the people, an act that puts these three elements in the same plane and enables a deeper dive into the installation, I want to take advantage of physical reactions that occur in the people related to the red light to intensify the sensory effect of this piece and how it affects spatial perception.

    I am interested in the study of the visual effects caused by nature aposematic in pieces like this. I personally want people to imagine that they are within a molecular system that exceeds the physical limits of The Soap Factory building; I mean, the black spheres give the illusion to continue through the walls with a space buoyancy static movement. I selected the black color spherical shape by the primary power that this figure has, as this figure is related to fundamental elements to perceive and describe the universe and I want this force sitting in this installation, the color black refers to the absorption of light, absorption which creates a profound visual effect, as the absorption of energy that people have from art, and the black spherical shape regarding an element that reflects the fascination that humans have what the unknown , is related to the opaque celestial bodies known as black holes.

    A black sphere has a primary force in our subconscious because although spherical shapes can be found in nature, black spheres are very rare and are related to the unknown and I am interested in exposing the mental threshold between what provides confidence and what not, this shape is related whit the term OOPArt.

    Out-of-place artifact (OOPArt) is a term coined by American naturalist and cryptozoologist Ivan T. Sanderson for an object of historical, archaeological, or paleontological interest found in a very unusual or seemingly impossible context that could challenge conventional historical chronology.

    The term "out-of-place artifact" is rarely used by mainstream historians or scientists. Its use is largely confined to cryptozoologists, proponents of ancient astronaut theories, Young Earth creationists, and paranormal enthusiasts.[2] The term is used to describe a wide variety of objects, from anomalies studied by mainstream science to pseudoarchaeology far outside the mainstream, to objects that have been shown to be hoaxes or to have mundane explanations. Critics argue that most purported OOPArts which are not hoaxes are the result of mistaken interpretation, wishful thinking, or a mistaken belief that a particular culture couldn't have created an artifact or technology due to a lack of knowledge or materials. Supporters regard OOPArts as evidence that mainstream science is overlooking huge areas of knowledge, either willfully or through ignorance.

    In some cases, the uncertainty results from inaccurate descriptions. For example: the Wolfsegg Iron was said to be a perfect cube, but in fact it is not; the Klerksdorp spheres were said to be perfect spheres, but they are not; and the Iron pillar of Delhi was said to be stainless, but it has some rust near its base.

    Many writers or researchers who question conventional views of human history have used purported OOPArts in attempts to bolster their arguments. Creation Science relies on allegedly anomalous finds in the archaeological record to challenge scientific chronologies and models of human evolution. Claimed OOPArts have been used to support religious descriptions of pre-history, ancient astronaut theories, or the notion of vanished civilizations that possessed knowledge or technology more advanced than our own.[2]

    The title refers to the longitudinal movement of electromagnetic waves in relation to the visible spectrum, known as redshift.Called visible spectrum to the region of the electromagnetic spectrum that the human eye can perceive. The electromagnetic radiation in this range of wavelengths is called merely light or visible light. No exact boundaries in the visible spectrum, a typical human eye will respond to wavelengths from 400-700 nm although some people may be able to perceive wavelengths from 380-780 nm, the red light is in the range of - Red is the color that is perceived to receiving a photo light whose dominant wavelength is between 618 and 780 nm. It resembles the coloration of human arterial blood.

    My proposal seeks to cause a deep, constant and consistent sensation in the viewer, a feeling related to natural forces that amaze us as a species, a installation related to basic principles of science and art, to create certainty about our cosmic scale.

    The proposal entitled "REDSHIFT" is a in situ-installation specific designed to mind all of the space of 'The Soap Factory' (12,000 sq feet) this installation course will function as a space within in another space, a place that feels like a corpuscular-o ...

    The proposal entitled "REDSHIFT" is a in situ-installation specific designed to mind all of the space of 'The Soap Factory' (12,000 sq feet) this installation course will function as a space within in another space, a place that feels like a corpuscular-organic system, through the scale of some elements (black spheres) and the atmosphere created by the visual spectrum which is red light. This installation aims to create an effect of spatial-conceptual continuity and amazement in those who witness, from the mix of elements from the art and science (theories & figures).

    My intention is to create an unreal molecular system composed by red light and black spheres, a system that works as an installation in which the possibilities for understanding subject to the imagination of each person.

    I decide to use red light: - For the physical reactions that causes red, reactions that are associated with a warm atmosphere, friendly yet powerful energy and then a fragment of a study conducted by Dr. Andrew Elliot, a psychologist at the University of Rochester (USA). The findings may have applications for sporting and other activities in which a brief burst of strength and speed is needed, such as weightlifting. But the authors caution that the color energy boost is likely short-lived. Red enhances our physical reactions because it is seen as a danger cue," & "Color affects us in many ways depending on the context complete article here: http://www.sciencedaily.com/releases/2011/06/110602122349.htm

    • For the relationship of the red color with the attraction between people and the possibilities that this creates, these physical reactions were checked by Dr. Daniela Niesta at the University of Rochester, here an article published in The Journal of Personality and Social Psychology. Complete article here http://www.rochester.edu/news/show.php?id=3268

    • On the illusory power that has the red light, power conducive to the feeling of being in another place, another world-system, other different from terrestrial atmosphere, with figurative connotations different than those that are perceived in the earth, the red light blurs the visual boundaries between the environment, the black spheres and the people, an act that puts these three elements in the same plane and enables a deeper dive into the installation, I want to take advantage of physical reactions that occur in the people related to the red light to intensify the sensory effect of this piece and how it affects spatial perception.

    I am interested in the study of the visual effects caused by nature aposematic in pieces like this. I personally want people to imagine that they are within a molecular system that exceeds the physical limits of The Soap Factory building; I mean, the black spheres give the illusion to continue through the walls with a space buoyancy static movement. I selected the black color spherical shape by the primary power that this figure has, as this figure is related to fundamental elements to perceive and describe the universe and I want this force sitting in this installation, the color black refers to the absorption of light, absorption which creates a profound visual effect, as the absorption of energy that people have from art, and the black spherical shape regarding an element that reflects the fascination that humans have what the unknown , is related to the opaque celestial bodies known as black holes.

    A black sphere has a primary force in our subconscious because although spherical shapes can be found in nature, black spheres are very rare and are related to the unknown and I am interested in exposing the mental threshold between what provides confidence and what not, this shape is related whit the term OOPArt.

    Out-of-place artifact (OOPArt) is a term coined by American naturalist and cryptozoologist Ivan T. Sanderson for an object of historical, archaeological, or paleontological interest found in a very unusual or seemingly impossible context that could challenge conventional historical chronology.

    The term "out-of-place artifact" is rarely used by mainstream historians or scientists. Its use is largely confined to cryptozoologists, proponents of ancient astronaut theories, Young Earth creationists, and paranormal enthusiasts.[2] The term is used to describe a wide variety of objects, from anomalies studied by mainstream science to pseudoarchaeology far outside the mainstream, to objects that have been shown to be hoaxes or to have mundane explanations. Critics argue that most purported OOPArts which are not hoaxes are the result of mistaken interpretation, wishful thinking, or a mistaken belief that a particular culture couldn't have created an artifact or technology due to a lack of knowledge or materials. Supporters regard OOPArts as evidence that mainstream science is overlooking huge areas of knowledge, either willfully or through ignorance.

    In some cases, the uncertainty results from inaccurate descriptions. For example: the Wolfsegg Iron was said to be a perfect cube, but in fact it is not; the Klerksdorp spheres were said to be perfect spheres, but they are not; and the Iron pillar of Delhi was said to be stainless, but it has some rust near its base.

    Many writers or researchers who question conventional views of human history have used purported OOPArts in attempts to bolster their arguments. Creation Science relies on allegedly anomalous finds in the archaeological record to challenge scientific chronologies and models of human evolution. Claimed OOPArts have been used to support religious descriptions of pre-history, ancient astronaut theories, or the notion of vanished civilizations that possessed knowledge or technology more advanced than our own.[2]

    The title refers to the longitudinal movement of electromagnetic waves in relation to the visible spectrum, known as redshift.Called visible spectrum to the region of the electromagnetic spectrum that the human eye can perceive. The electromagnetic radiation in this range of wavelengths is called merely light or visible light. No exact boundaries in the visible spectrum, a typical human eye will respond to wavelengths from 400-700 nm although some people may be able to perceive wavelengths from 380-780 nm, the red light is in the range of - Red is the color that is perceived to receiving a photo light whose dominant wavelength is between 618 and 780 nm. It resembles the coloration of human arterial blood.

    My proposal seeks to cause a deep, constant and consistent sensation in the viewer, a feeling related to natural forces that amaze us as a species, a installation related to basic principles of science and art, to create certainty about our cosmic scale.