Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, making a film Scenario for a Sci- fiction longmetrage, with the main ideas of this man who envisioned the city of the future.
The Scene of the film will be made of only one constantly and circular 11 minutes- non stop take; starting and ending Exactly in the same way, in the antimatter, in a completly white pure scenario, without colors except by the nude humans that will be appearing and dessapearing slightly here, using the air, water and fire of the natural pure elements and objects that Klein refers in his antimatter architecture text:
The architecture of air has in our minds always been just a transitional stage, but today we present it as a means for the climatization of geographical spaces. The principle of privacy, still present in our world, has vanished in this city, which is bathed in light and completely open to the outside.
A new atmosphere of human intimacy prevails.
The inhabitants live in the nude. The primitive patriarchal structure of the family no longer exists. The community is perfect, free, individualistic, impersonal. The principal activity of the inhabitants: leisure.
Klein imagined the whole world would be air-conditioned in this way, covered by an invisible roof of air, so that everybody would be freed from the bad vibes of the weather. His vision was a kind of new eden where everybody would walk around naked, without any cumbersome personal possessions. This paradise would be made possible by complex underground machinery, fulfilling all the functions necessary to sustain life.
The complete film will be acompaigned by the Symphonie made by Klein in 1947, The one called Monoton-Silence, which consists of one note sustained by the orchestra for twenty minutes followed by twenty minutes of silence.
He says: I believe that in the future one will get to painting only paintings of one color at a time and without anything other than color…. In literature there might be a way to get to the same point…a funny novel without plot, without closure, without subject, without message, and only with an atmosphere, a feeling of the same quality, very regular, profound and unified…. embracing a new form of realism freed from the cult of humanism, less anthropocentric, without protagonists or linear narrative.
This kind of novel would offer a “ hole in the narrative,” It is a sort of return to the garden of Eden of the legend.
He insisted that “ the conquest of space will indeed be achieved by restoring the legendary Eden, which will allow Man to be impregnated with sensibility in space."
Klein envisioned the city of the future as spanned by an immaterial air roof providing for permanent circulation of air and offering protection from sunlight and rain. Transparent walls, roofs, and even furniture were to be created from compressed air. The urbanites would be living in open spaces without partitioned rooms or boundary between inside and out. Inspired by the idea of an unlimited availability of energy resources.
Blue cries
Film scenario Study of the materie- antimaterie, by Eduardo Villanueva.
The basic Idea here is to retake the vision of the Air Architecture project made by Yves Klein, who investigated the possibilities of immaterial architecture, making a film Scenario for a Sci- fiction longmetrage, with the main ideas of this man who envisioned the city of the future.
The Scene of the film will be made of only one constantly and circular 11 minutes- non stop take; starting and ending Exactly in the same way, in the antimatter, in a completly white pure scenario, without colors except by the nude humans that will be appearing and dessapearing slightly here, using the air, water and fire of the natural pure elements and objects that Klein refers in his antimatter architecture text:
The architecture of air has in our minds always been just a transitional stage, but today we present it as a means for the climatization of geographical spaces. The principle of privacy, still present in our world, has vanished in this city, which is bathed in light and completely open to the outside.
A new atmosphere of human intimacy prevails.
The inhabitants live in the nude. The primitive patriarchal structure of the family no longer exists. The community is perfect, free, individualistic, impersonal. The principal activity of the inhabitants: leisure.
Klein imagined the whole world would be air-conditioned in this way, covered by an invisible roof of air, so that everybody would be freed from the bad vibes of the weather. His vision was a kind of new eden where everybody would walk around naked, without any cumbersome personal possessions. This paradise would be made possible by complex underground machinery, fulfilling all the functions necessary to sustain life.
The complete film will be acompaigned by the Symphonie made by Klein in 1947, The one called Monoton-Silence, which consists of one note sustained by the orchestra for twenty minutes followed by twenty minutes of silence.
He says: I believe that in the future one will get to painting only paintings of one color at a time and without anything other than color…. In literature there might be a way to get to the same point…a funny novel without plot, without closure, without subject, without message, and only with an atmosphere, a feeling of the same quality, very regular, profound and unified…. embracing a new form of realism freed from the cult of humanism, less anthropocentric, without protagonists or linear narrative.
This kind of novel would offer a “ hole in the narrative,” It is a sort of return to the garden of Eden of the legend.
He insisted that “ the conquest of space will indeed be achieved by restoring the legendary Eden, which will allow Man to be impregnated with sensibility in space."
Klein envisioned the city of the future as spanned by an immaterial air roof providing for permanent circulation of air and offering protection from sunlight and rain. Transparent walls, roofs, and even furniture were to be created from compressed air. The urbanites would be living in open spaces without partitioned rooms or boundary between inside and out. Inspired by the idea of an unlimited availability of energy resources.