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Date
Title
Source
Description
Tags
W4138
23.05.2011
No manʼs land - Constanza Alarcón Tennen
WWW
  • No manʼs land This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs ...

    No manʼs land This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the observation of a certain kind of territories in which man has never lived. Those territories are uninhabitable, essentially indomitable. My objective was to create an experience of geological connotations, that would refer to a sublime conception of landscape but from a three dimentional construction. Finally, my reflections concerning the concept of inhabiting and the way whiteness simbolizes an hermetic and untouched landscape, became a reallity when the work itself couldnʼt find a place to inhabit.

    No manʼs land This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the obs ...

    No manʼs land This installation was projected for Sala SAM, a gallery in Santiago de Chile, to be exhibited in August 2010. Because of the abrupt closure of the gallery, the Project was stoped a month before opening. No manʼs land was based in the observation of a certain kind of territories in which man has never lived. Those territories are uninhabitable, essentially indomitable. My objective was to create an experience of geological connotations, that would refer to a sublime conception of landscape but from a three dimentional construction. Finally, my reflections concerning the concept of inhabiting and the way whiteness simbolizes an hermetic and untouched landscape, became a reallity when the work itself couldnʼt find a place to inhabit.