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Date
Title
Source
Description
Tags
W5093
11.09.2012
H.U.R.I.M.P.R - Alina Tudor and Razvan Neagoe
WWW
  • H.U.R.I.M.P.R (part of MOnuMENTS project) MOnuMENTS project starts from the necessity of a reflexion on the deficitary relationship we have with history and recent memory, following a representative piece for the relationship between the political disc ...

    H.U.R.I.M.P.R (part of MOnuMENTS project)

    MOnuMENTS project starts from the necessity of a reflexion on the deficitary relationship we have with history and recent memory, following a representative piece for the relationship between the political discourse and urban weaving. H.U.R.I.M.P.R represents an indication of the way in which we see our own history and ourselves as people. An indication of ideological values belonging to a certain historic period to which we have referred. An indication of art and politics. Avatars they have undergone throughout the time are a good barometer of political and social changes that have occurred in the space they populate. The type of the artistic research proposed neither arrogate to itself exhaustition nor objectivity nor the type of scientific analysis but proposes a meditation on relationship among the individual, community and history, a live encounter between “yesterday” and “today”, between mentalities and different values, between us of today and taciturn witnesses of the past. It remarks the differences between the urban development and the rural one, between political/cultural gestures. Tangentially it touches as well themes like art in public space, urbanism, ways of communication, types of communication, totalitarianism, manipulation violence.

    H.U.R.I.M.P.R (part of MOnuMENTS project) MOnuMENTS project starts from the necessity of a reflexion on the deficitary relationship we have with history and recent memory, following a representative piece for the relationship between the political disc ...

    H.U.R.I.M.P.R (part of MOnuMENTS project)

    MOnuMENTS project starts from the necessity of a reflexion on the deficitary relationship we have with history and recent memory, following a representative piece for the relationship between the political discourse and urban weaving. H.U.R.I.M.P.R represents an indication of the way in which we see our own history and ourselves as people. An indication of ideological values belonging to a certain historic period to which we have referred. An indication of art and politics. Avatars they have undergone throughout the time are a good barometer of political and social changes that have occurred in the space they populate. The type of the artistic research proposed neither arrogate to itself exhaustition nor objectivity nor the type of scientific analysis but proposes a meditation on relationship among the individual, community and history, a live encounter between “yesterday” and “today”, between mentalities and different values, between us of today and taciturn witnesses of the past. It remarks the differences between the urban development and the rural one, between political/cultural gestures. Tangentially it touches as well themes like art in public space, urbanism, ways of communication, types of communication, totalitarianism, manipulation violence.